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World Festival of Negro Arts 1966 Senegal

 
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ABOUT THE FESTIVAL

The first state-sponsored festival to showcase the work of African and African diasporic artists, musicians and writers to a global audience. The month-long culture and arts festival was hailed as the inaugural cultural gathering of the black world.

1er Festival Mondial des Arts Nègres 1966 Poster
Date
Fri Apr 01, 1966 - Sun Apr 24, 1966
Map
Dakar
Senegal
Years active
1966, 1977, 2009/2010
Founded by
Former Senegalese President Leopold Sedar Senghor
  • The First World Festival of Negro Arts, directed by William Greaves (1968)
  • Il Festival de Dakar, produced by Sergio Borelli (1966)

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Arts & Acts

45 African, European, Caribbean, and North and South African countries participated, featuring black literature, music, theater, visual arts, film and dance.

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In April 1966, thousands of artists, musicians, performers and writers from across Africa and its diaspora gathered in the Senegalese capital, Dakar, to take part in the First World Festival of Negro Arts (Premier Festival Mondial des arts nègres). The international forum provided by the Dakar Festival showcased a wide array of arts and was attended by such celebrated luminaries as Duke Ellington, Josephine Baker, Aimé Césaire, André Malraux and Wole Soyinka. Described by Senegalese President Léopold Sédar Senghor, as 'the elaboration of a new humanism which this time will include all of humanity on the whole of our planet earth', the festival constituted a highly symbolic moment in the era of decolonization and the push for civil rights for black people in the United States. In essence, the festival sought to perform an emerging Pan-African culture, that is, to give concrete cultural expression to the ties that would bind the newly liberated African 'homeland' to black people in the diaspora. This volume is the first sustained attempt to provide not only an overview of the festival itself but also of its multiple legacies, which will help us better to understand the 'festivalization' of Africa that has occurred in recent decades with most African countries now hosting a number of festivals as part of a national tourism and cultural development strategy.